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A MAZE IN ZAZAZA ENTER AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
WORK DAYS OF GOD Herbert W Morris D.D.circa 1883 Page 22
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium." "BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE
"
A HISTORY OF GOD Karen Armstrong The God of the Mystics Page 250 "There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Cycles and Patterns Page 165 Patterns "The essence of mathematics is to look for patterns. Our minds seem to be organised to search for relationships and sequences. We look for hidden orders. These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac! Searching out patterns is a pure delight. Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden. And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
THE LIGHT IS RISING RISING IS THE LIGHT
ADVENT 2271 ADVENT
I THE MESSAGE unless integral to quoted work. all arithmetical machinations, emphasis, comment, insertions subterfuge and insinuations are those of the Zed Aliz Zed as recorded by the far yonder scribe.
THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest- Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance. 'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the
strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).
A HISTORY OF GOD Karen Armstrong The God of the Mystics (The Book of Creation). Page 250 "There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 466 "Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and
HOLY BIBLE Scofield References Page 1117 A.D. 30. Jesus answered and said unto him, Verily, verily,
IN SEARCH OF THE MIRACULOUS Fragments of an Unknown Teaching P.D.Oupensky 1878- 1947 Page 217 " 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
FIRST WORLD WAR Chorus (sung twice after each verse) Pack up your troubles in your old kit-bag, And smile, smile, smile, While you’ve a lucifer to light your fag, ... www.firstworldwar.com/audio/packupyourtroubles.htm
File Name: Pack Up Ypur Troubles In Your Old Kit Bag.MP3 ... The refrain contain an interesting phrase: "While you've a lucifer to light your fag. ... turtleservices.com
Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of a World War I marching song, published in 1915 in London. ... en.wikipedia.org/wiki/Pack_Up_Your_Troubles_in_Your_Old_Kit-Bag "Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of a World War I marching song, published in 1915 in London. It was written by George Henry Powell under the pseudonym of "George Asaf", and set to music by his brother Felix Powell [1]. A play presented by the National Theatre recounts how these music hall stars rescued the song from their rejects pile and re-scored it to win a wartime competition for a marching song [2].It became very popular, boosting British morale despite the horrors of that war, and is best remembered for its chorus: [3]
Pack up your troubles in your old kit-bag, A lucifer was a popular make of match,. . . "
I am become Death, the destroyer of worlds... en.wikipedia.org/wiki/Trinity_test Variants on this quotation exist, both by Oppenheimer and by others. A more common translation of the passage, from Arthur Ryder (from whom Oppenheimer studied Sanskrit at Berkeley in the 1930s), is:
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ...
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
Sentient beings (Buddhism) - Wikipedia In Buddhism, sentient beings are beings with consciousness, sentience, or in some contexts life itself. ... Sentient beings are composed of the five aggregates, In Buddhism, sentient beings are beings with consciousness, sentience, or in some contexts life itself.[1] Sentient beings are composed of the five aggregates, or skandhas: matter, sensation, perception, mental formations and consciousness. In the Samyutta Nikaya, the Buddha is recorded as saying that "just as the word 'chariot' exists on the basis of the aggregation of parts, even so the concept of 'being' exists when the five aggregates are available."[2] While distinctions in usage and potential subdivisions or classes of sentient beings vary from one school, teacher, or thinker to another, it principally refers to beings in contrast with buddhahood. That is, sentient beings are characteristically not enlightened, and are thus confined to the death, rebirth, and dukkha (suffering) characteristic of sa?sara.[3] However, Mahayana Buddhism simultaneously teaches that sentient beings also contain Buddha-nature—the intrinsic potential to transcend the conditions of sa?sara and attain enlightenment, thereby obtaining Buddhahood.[4] Those who greatly enlighten illusion are Buddhas; those who are greatly deluded about enlightenment are sentient beings. — —Dogen[3] In Mahayana Buddhism, it is to sentient beings that the Bodhisattva vow of compassion is pledged. Particularly in Tibetan Buddhism and Japanese Buddhism, all beings (including plant life and even inanimate objects or entities considered "spiritual" or "metaphysical" by conventional Western Sentient beings is a term used to designate the totality of living, conscious beings that constitute the object and audience of Buddhist teaching. Translating various Sanskrit terms (jantu, bahu jana, jagat, sattva), sentient beings conventionally refers to the mass of living things subject to illusion, suffering, and rebirth (Sa?sara). Less frequently, sentient beings as a class broadly encompasses all beings possessing consciousness, including Buddhas and Bodhisattvas.[1] Classification?[edit] Early scriptures in the Pali Canon and the conventions of the Tibetan Bhavacakra classify sentient beings into five categories—divinities, humans, animals, tormented spirits, and denizens of hell—although sometimes the classification adds another category of beings called asuras between divinities and humans.[1]
What Is a Sentient Being? Definition and Examples of Sentient Beings sentientmedia.org › sentient-being Who Is a Sentient Being? There are a number of different definitions for sentience, and thus sentient beings. Most of the disagreements surrounding who qualifies are about different animals and where they fall on the scale of sentience. In Buddhism, a sentient being includes every conscious creature. There are several classes of sentient beings. Amongst these are a class for humans and one for animals. The class of animals includes all species whether mammal, bird, fish, or insect. The classes are ranked, however, with people ranking above animals. Plants are the only living thing excluded from consideration as a sentient being, because Buddhists do not see them as conscious.
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S 5 x 6 = 30 "The most common letter in the English alphabet is E."
FOUR NONE NONE FOUR THREE NONE NONE THREE
All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic). Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).
THIRTEEN = 99 = THIRTEEN
September 11 attacks - Wikipedia The September 11 attacks, commonly known as 9/11, were four coordinated suicide terrorist attacks carried out by the militant Islamic extremist network al-Qaeda against the United States … The September 11 attacks, commonly known as 9/11,[d] were four coordinated suicide terrorist attacks carried out by the militant Islamic extremist network al-Qaeda[2][3][4] against the United States on Tuesday, September 11, 2001. That morning, nineteen terrorists hijacked four commercial airliners scheduled to travel from the northeastern U.S. to California. The hijackers crashed the first two planes into the Twin Towers of the World Trade Center in New York City, and the third plane into the Pentagon (the headquarters of the American military) in Arlington, Virginia. The fourth plane was intended to hit a federal government building[e] in Washington, D.C., but crashed in a field following a passenger revolt.[5] The attacks killed nearly 3,000 people and instigated the global war on terror. The first impact was that of American Airlines Flight 11 at 8:46 am, into the North Tower of the World Trade Center complex in Lower Manhattan. Seventeen minutes later, at 9:03 am,[f] the World Trade Center's South Tower was hit by United Airlines Flight 175. Both 110-story towers collapsed within an hour and forty-two minutes, precipitating the collapse of other World Trade Center structures including 7 World Trade Center, and damaging nearby buildings. A third flight, American Airlines Flight 77, crashed into the west side of the Pentagon in Arlington County, Virginia, at 9:37 am, causing a partial collapse. The fourth and final flight, United Airlines Flight 93, flew in the direction of Washington, D.C. Alerted of the previous attacks, the plane's passengers attempted to regain control, but the hijackers ultimately crashed the plane in a field in Stonycreek Township, Pennsylvania, near Shanksville, at 10:03 am. Investigators determined that Flight 93 was targeting either the U.S. Capitol or the White House. Within hours of the attacks, suspicion quickly fell onto al-Qaeda. The United States formally responded by launching the war on terror and invading Afghanistan to depose the Taliban, which had not complied with U.S. demands to expel al-Qaeda from Afghanistan and extradite its leader, Osama bin Laden. The U.S.'s invocation of Article 5 of NATO—its only usage to date—called upon allies to fight al-Qaeda. As U.S. and NATO ground forces swept through Afghanistan, bin Laden fled to the White Mountains, where he narrowly avoided capture by U.S.-led forces.[10] Although bin Laden initially denied any involvement, in 2004 he formally claimed responsibility for the attacks.[1] Al-Qaeda's cited motivations included U.S. support of Israel, the presence of U.S. troops in Saudi Arabia, and sanctions against Iraq. After evading capture for almost a decade, bin Laden was killed by the U.S. military on May 2, 2011. The attacks resulted in 2,977 non-hijacker fatalities, an indeterminate number of injuries, and substantial long-term health consequences, in addition to at least $10 billion in infrastructure and property damage.[11][12] It remains the deadliest terrorist attack in human history and the single deadliest incident for firefighters and law enforcement officers in U.S. history, with 340[13] and 72 killed,[14][15] respectively. The destruction of the World Trade Center and its environs seriously harmed the New York City economy and induced global market shocks. Many other countries strengthened anti-terrorism legislation and expanded their powers of law enforcement and intelligence agencies. Cleanup of the World Trade Center site (colloquially "Ground Zero") took eight months and was completed in May 2002, while the Pentagon was repaired within a year. After delays in the design of a replacement complex, the One World Trade Center began construction in November 2006 and opened in November 2014.[16][17] Memorials to the attacks include the National September 11 Memorial & Museum in New York City, the Pentagon Memorial in Arlington County, Virginia, and the Flight 93 National Memorial at the Pennsylvania crash site.
NINE ELEVEN NINE EL EVEN EL EVEN NINE NINE ELEVEN ELEVEN NINE
NINE ELEVEN
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S 5 x 7 = 35 "The most common letter in the English alphabet is E."
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S 5 x 7 = 35 "The most common letter in the English alphabet is E."
WORLD TRADE CENTER
Philippe Petit is a French high-wire artist who gained fame for his unauthorized high-wire walks between the towers of Notre Dame Cathedral in Paris in 1971 and of Sydney Harbour Bridge in 1973, as well as between the Twin Towers of the World... Wikipedia Philippe Petit - Wikipedia Philippe Petit is a French high-wire artist who gained fame for his unauthorized high-wire walks between the towers of Notre Dame Cathedral ... as well as between the Twin Towers of the World Trade Center in New York ... Since then, Petit has lived in New York, where he has been artist-in-residence at the Cathedral of St. John the Divine, also a location of other aerial performances. He has done wire walking as part of official celebrations in New York, across the United States, and in France and other countries, as well as teaching workshops on the art. In 2008, Man on Wire, a documentary directed by James Marsh about Petit's walk between the towers, won numerous awards. He was also the subject of a children's book and an animated adaptation of it, released in 2005. The Walk, a film based on Petit's walk, was released in September 2015, starring Joseph Gordon-Levitt as Petit and directed by Robert Zemeckis. He also became adept at equestrianism, juggling, fencing, carpentry, rock-climbing, and bullfighting. Spurning circuses and their formulaic performances, he created his street persona on the sidewalks of Paris. In the early 1970s, he visited New York City, where he frequently juggled and worked on a slackline in Washington Square Park. Petit was born in Nemours, Seine-et-Marne, France; his father Edmond Petit was an author and an Army Pilot. At an early age, Petit discovered magic and juggling. He loved to climb, and at 16, he took his first steps on a tightrope wire. He told a reporter, Within one year, I taught myself to do all the things you could do on a wire. I learned the backward somersault, the front somersault, the unicycle, the bicycle, the chair on the wire, jumping through hoops. But I thought, "What is the big deal here? It looks almost ugly." So I started to discard those tricks and to reinvent my art.[3] In June 1971, Petit secretly installed a cable between the two towers of Notre Dame de Paris. On the morning of 26 June 1971, he "juggled balls" and "pranced back and forth" as he crossed the wire on foot to the applause of the crowd below.[4] World Trade Center walk?[edit] Petit became known to New Yorkers in the early 1970s for his frequent tightrope-walking performances and magic shows in the city parks, especially Washington Square Park. Petit's most famous performance was in August 1974, conducted on a wire between the roofs of the Twin Towers of the World Trade Center in Lower Manhattan, New York City, USA, 400 metres (1,312 feet) above the ground. The towers were still under construction and had not yet been fully occupied. He performed for 45 minutes, making eight passes along the wire, during which he walked, danced, lay down on the wire, and saluted watchers from a kneeling position. Office workers, construction crews and policemen cheered him on. Planning?[edit] Petit conceived his "coup" when he was 18, when he first read about the proposed construction of the Twin Towers and saw drawings of the project in a magazine, which he read in 1968 while sitting at a dentist's office.[5] Petit was seized by the idea of performing there, and began collecting articles on the Towers whenever he could. What was called the "artistic crime of the century" took Petit six years' planning. During this period, he learned everything he could about the buildings and their construction. In the same period, he began to perform high-wire walking at other famous places. Rigging his wire secretly, he performed as a combination of circus act and public display. In 1971, he performed his first such walk between the towers of the cathedral of Notre Dame de Paris,[1] while priests were being ordained inside the building. In 1973, he walked a wire rigged between the two north pylons of the Sydney Harbour Bridge.[6] In planning for the Twin Towers walk, Petit had to learn how to accommodate issues such as the swaying of the high towers due to wind, which was part of their design; effects of wind and weather on the wire at that height, how to rig a 200 ft (61 m) steel cable across the 138 ft (42 m) gap between the towers (at a height of 1,368 ft (417 m)), and how to gain entry with his collaborators, first to scope out the conditions and lastly to stage the project.[2] They had to bring heavy equipment to the rooftops. He traveled to New York on numerous occasions to make first-hand observations.[1] Since the towers were still under construction, Petit and one of his collaborators, New York-based photographer Jim Moore, rented a helicopter to take aerial photographs of the buildings.[2] Two more collaborators, Jean-François and Jean-Louis, helped him practice in a field in France, and accompanied him to take part in the final rigging of the project, as well as to photograph it. Francis Brunn, a German juggler, provided financial support for the proposed project and its planning.[7] Petit and his crew gained entry into the towers several times and hid in upper floors and on the roofs of the unfinished buildings to study security measures. They also analyzed the construction and identified places to anchor the wire and cavalletti. Using his own observations, drawings, and Moore's photographs, Petit constructed a scale model of the towers to design the needed rigging for the wire walk. Working from the ID of an American who worked in the building, Petit made fake identification cards for himself and his collaborators (claiming they were contractors who were installing an electrified fence on the roof) to gain access to the buildings. Prior to this, Petit had carefully observed the clothes worn by construction workers and the kinds of tools they carried. He also took note of the clothing of office workers so that some of his collaborators could pose as white-collar workers. He observed what time the workers arrived and left, so he could determine when he would have roof access. As the target date of his "coup" approached, he claimed to be a journalist with Metropolis, a French architecture magazine, so that he could gain permission to interview the workers on the roof. The Port Authority allowed Petit to conduct the interviews, which he used as a pretext to make more observations. On the night of Tuesday, 6 August 1974, Petit and his crew had a lucky break and got a ride in a freight elevator to the 104th floor with their equipment. They stored it 19 steps below the roof. To pass the cable across the void, Petit and his crew had settled on using a bow and arrow attached to a rope. They had to practice this many times to perfect their technique. They first shot across a fishing line, which was attached to larger ropes, and finally to the 450-pound (200 kg) steel cable. The team was delayed when the heavy cable sank too fast, and had to be pulled up manually for hours. Petit had already identified points at which to anchor two tiranti (guy lines) to other points to stabilize the cable and keep the swaying of the wire to a minimum.[2] Event?[edit] Shortly after 7 am local time, Petit stepped out on the wire and started to perform. He was 1,350 feet (410 m) above the ground. He performed for 45 minutes, making eight passes along the wire, during which he walked, danced, lay down on the wire, and knelt to salute watchers. Crowds gathered on the streets below. He said later that he could hear their murmuring and cheers. When New York Police Department and Port Authority of New York police officers learned of his stunt, they came up to the roofs of both buildings to try to persuade him to leave the wire. They threatened to pluck him off by helicopter.[2] Petit got off when it started to rain.[citation needed] Aftermath?[edit] There was extensive news coverage and public appreciation of Petit's high-wire walk. The district attorney dropped all formal charges of trespassing and other items relating to his walk[8] on condition that Petit give a free aerial show for children in Central Park. He performed on a high-wire walk in the park above Belvedere Lake (now known as Turtle Pond).[9] The Port Authority of New York and New Jersey gave Petit a lifetime pass to the Twin Towers' Observation Deck. He autographed a steel beam close to the point where he began his walk. Petit's high-wire walk is credited with bringing the Twin Towers much needed attention and even affection, as they initially had been unpopular.[10][11] Critics such as historian Lewis Mumford had regarded them as ugly and utilitarian in design, and too large a development for the area. The Port Authority was having trouble renting out all of the office space.[10] MAN ON A WIRE
CHEIRO'S BOOK OF NUMBERS Circa 1926 Page106 The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE QUESTION HAS BEEN ASKED AGAIN AND AGAIN IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE THE TIDE AT THE FLOOD
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Page 254 "...Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere:..."
THE LURE AND ROMANCE OF ALCHEMY. A history of the secret link between magic and science 1990 Page# 31 / 32 note 1 Julius Ruska ,Tabula Smaragdini 1926 "THE EMERALD TABLE OF HERMES: " "True it is, without falsehood certain most true.That which is
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Mmm mmm mmm mmm mmm mmm mmm mmm mmm .
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